Rebecca Raue – leaving and arriving

Boats often travel through my paintings. I am fascinated by them, because they create a space; a me-space. A boat on the sea. A person on a boat. Maybe alone. Water all around. The boat is a mean of transportation, a shel- ter, maybe a home. One can steer a boat, set the sails. Nonetheless the boat is exposed to the sea and the wind. One can also make paper boats. To play with. To dream of vastness.

In 2014 the boat has gained for all of us a new – non-playful – reality. People have boarded boats to flee from their reality to another, to a suppos- edly better world. Many many have died and even just now, while I am writ- ing these lines, many are in need. The dramas, which take place during the escape from war and fear, are – despite all the media coverage – hardly imagin- able. Many images are so hard and overwhelming, the natural and compre- hensible reflex is to shut down, to become cold-hearted.
Only when the exterior reflects itself in the interior it touches in the here and now. Without being strange thus overwhelming.
The boats in the installation »leaving and arriving« were built with MDF- plates by Africans, who have travelled with similar simply built boats across the Mediterranean Sea to Lampedusa and finally arriving in Berlin. Many others have drowned during the passage. The sea has swallowed them.
The structure of the boats resembles the classic paper boat. They associ- ate with lightness but are still heavy. They associate with water but still have wheels to move around the room and to be played with. They are built in a way so people can sit inside them. They can be moved by others by pulling or pushing, therefore inviting to interaction. The sails of the boats are sewn in a Spartan way together from used men shirts. They also have a history. And they refer to a human destiny. The boats welcome the observer. They are not threatening. And still, they carry stories of escape and fear within them. Suf- fering and joy are universal. In order to act in a sustainable way we have to find a personal reference to the events that take place around us. The politi- cal has to become private for us to establish a personal relation despite the harshness of reality and consequently get really involved.
My spaces shall encourage people to deal with their internal spaces. I ask for more touchability. I believe in the quality of being-able-to-reveal. For that we need protected and quiet public spaces. We have to take care of each other, listen to each other, see each other. People are ready for the ones that are com- ing to us now, and they are ready to get in the boat. They offer to share the pain, to carry it together. They engage on a shared journey that will change us all. To allow to get touched on the inside and feel the joy of commitment at the same time is a moving a experience. There lies a big change in experiencing this.
Because if more people feel the longing of deep usefulness in their acting, thinking and being, old hierarchies will break away. We will then act together, supporting. And we will be aware, that ultimately we are all connected together.

These boats have been made in collaboration with Cucula. www.cucula.org






TIME TO SAY GOODBYE
Fr. 13. July to Su. 15. July ETF! welcomes the summer holidays and says goodbye from Bonn

LONG EVENING
Friday, 13 July 2018, 16.00 to 24.00 h Artificial walks, bed sheet cinema under stars, clogs and clowns

FAMILY SATURDAY
"BONN BLOSSOMS!"
Saturday, 14 July, 14.00 hrs Family Tours and Planting Campaign

ARTISTS_SUNDAY
July 15, 11.30 a.m.
Finissage tour with individual ETF! artists from the region

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The 17th edition of ETF was opened on April 18th in Bonn.

Venue:
Ehemalige Volkshochschule
Kasernenstraße 50
53111 Bonn

NEW Duration: 19.4.-15.7.2018

Opening times:
Wed-Fri: 4pm – 8pm
Sat-Sun: 11am – 5pm
also on bank holidays

Free Entry!

A contribution to the European Sustainable Development Week (ESDW) 2018 and the German Sustainability Action Days 2018 (30.5.-5.6.)

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ETF! was awarded "Best international exhibition in Chile in 2017" by the Chilean Circle of Art Critics.

Pictures of ETF! 2017 in Parque Cultural de Valparaiso, Chile can be seen here .

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17. Exhibition-Station Bonn 2018

Many thanks also to Deutsche Telekom AG, Beethoven Foundation Bonn, Kunsthistorisches Institut der Universität Bonn and Kunstmuseum Bonn.